Meeting of church workers about development (Muspas). Recreation participants on the beach. The cathedral. Closure of MUSPAS, with speeches of, among others, bishop Munninghof. Dancing women, singing participants, Indonesian dances.

"Ima Wusan II" is the first part of Camps 10. The second part is called "Etai at Libarek". Film (Camps 10): Super-8, Kodachrome II, Colour Length : 68 meters Ima Wusan: approx. 40 meters Etai : approx. 28 meters Running time : Ima Wusan : 10 minutes Etai : 6 minutes Film date : Ima Wusan : December 1971 Etai : May 1971 Place : Ima Wusan at the compound Obia Etai at the dance ground at Libarek, 5 km from Yiwika, Baliem Valley, West Irian. Description of Ima Wusan II: This film is the continuation of the purifying ceremony seen in Camps 9, Ima Wusan I. While Ima Wusan I dealt with preparations in the compound of Obia, the actual ceremony is depicted here. The place of the ceremony is located on a short distance from the compound near an old irrigation ditch. The man in charge of the ceremony is the phatphale and is named Helela. Approximately 80 persons were active participants in this particular Ima Wusan. Ima Wusan part II begins by showing Munikarak actively engaged in making the ilasin, or where the water will flow during the ceremony. This small trench dips towards an irrigation ditch from an old garden. In this small trench he will also construct 3 small holes called pelai. Labisek and Helela are seen bringing tun eka and el eka, along with the wam amen which will be used in the rites. Into the pelai Helela will put small amounts of i or water, werap eka, wam amep and helisakup. Hymperi will be brought by the women and pig's blood will be put on them as they are placed together near the ilasin; the making of the pabi kagalek and preparation of the pabi completed, the rites are ready to begin. The men and women are lined up in two rows on each side of the ilasin; first the men, then the women. The pabi is passed under the legs of the participants alternating from side to side as words to erase the incest are spoken. This pabi is then thrown away. A second bundle is passed from the rear and is also discarded, again accompanied by incantations. A fire brand is then passed between the legs of the participants, ula ula sein. There is much joking and fun associated with this activity. Small amounts of additional water is then added to the pelai just before the hole walls are breeched and the fluid allowed to run down the ilasin beneath the legs of the participants through the arch into the irrigation ditch. In the sequence that follows, each person passes through the arch and crosses the irrigation ditch to a point where they are met by Helela. Helela has li and werasi eka which he dips into the water and symbolically cleans the legs of those who have to pass the arch. The first man does not pass through the arch and is made to do so. As individuals cross the ditch to be met by Helela, some can be seen raising their hands and shouting. They are confessing the name of the person with whom they have transgressed. Ekatlek is one of these who has committed incest. Blood is then put on the navel of each person and is accompanied by a blowing ritual. This is also done by Helela who then proceeds to put additional blood on the elbows and knees of the men, and on the buttocks of the women. After all those assembled have passed through the arch, the hymperi are gathered to be fed to pigs and all return to the compound. Here the pits will be opened and the contents consumed. The Ima Wusan is finished. The pigs will now grow big and strong; the contamination of incest has been removed. Persons : 1) Munikarok 2) Labisok 3) Helela Terminology : 1) ilasin : small ditch of Ima Wusan 2) tun eka - el eka - werap eka: leaves used in the ceremony 3) pelai: here refers to 3 small holes constructed 4) i: water 5) wam amep: pig's blood 6) helisakup: charcoal 7) pawi: name of wood used; also term for incest and fornication 8) pawi kagalek: term for arch 9) i huwalin: term for released water 10) li eka - werasi eka: name of leaves used to clean legs 11) inakla henin: blood and blowing portion of the rites This description of Ima Wusan and the Etai at Libarek was prepared by Larry L. Naylor, Southern Illinois University in collaboration with J.A.E. Camps ofm. Informants: Kurelu, Kirilmo and Uwo. See also Camps 11, Ima Wusan III.

Airport, farm, bay, beach Base G., Jayapura town, A.P.O., a click clack game, town, skyline, grave of 3 missionaries, STTK, inprovement of road in Abe, parsonage in Abe, Keuspukan, view from Keuspukan, trip by airplane over Sentani.

Film : Super-8, Kodachrome II, Colour Length : 84 meters Running Time : approx. 25 minutes Film Date : January - March 1972 Place : Yiwika and Wamena, Baliem Valley, West Irian, Indonesia Filmed by : J.A.E. Camps ofm. Description : Uang Eka is an experimental film using Super-8 film. This educational film concerns the use of a new money, only recently introduced by the Indonesian Government into the Baliem Valley, West Irian. The script was prepared by Sharon L. Naylor, in collaboration with Father Jules Camps ofm, the missionary stationed at Yiwika. Larry L. Naylor, Research Anthropologist for the United Nations Development Programme, Fundwi, and Southern Illinois University, provided technical and cultural advice. In the early part of 1972, the Indonesian Government ended the use of West Irian Rupiah, a special money used only in West Irian since the territory was acquired from the Dutch, and introduced the National Indonesian Rupiah. The people of the Baliem did not possess a traditional money, and the short period of contact has not lead to any real understanding of money and its uses, except among the children who have acquired some education. The bulk of the people remain quite ignorant about money, using only the colours of the previous currency as a guide to buying and selling goods. The introduction of new money, in more varieties and in conflicting colour to the old currency, has caused a great deal of difficulty among these people and also led to wide spread losses. The idea of the film was conceived as a possible means of educating the people about this new money, especially its uses and values. The people have been exposed to films by the mission and they have been well received. The school children often giving a running commentary to those unable to read. Super-8 was considered the most economical film and therefore chosen as the medium in which this educational film experiment would be tried. The persons and situations used in the film are taken from real life and involves the use of local residents with only minimum amounts of direction. The situations and money shown in the film are explained in subtitles, both in Indonesian and Baliem languages. It is titled using local materials and the characters seen are also listed. The film begins with an educational lesson on the value of, and the kinds of rupiah to be found in use. Each is identified by picture and subtitle. The situations involving the use of money, based on local reality, make up the bulk of the film. The scenes include a man, desiring to buy a shovel and having to sell cabbage to obtain sufficient money. A woman sells potatoes to purchase soap for washing. A man desires a bush knife and must sell vegetables (tomatoes) to obtain it. The use of money in the stores located in the government centre at Wamena is also shown. A segment on getting change is included as is the selling of vegetables in that market. The last scene is of Kurelu taking an assortment of money and trade items off to trade for pigs. The final portion of the film is again concerned with the new money and its value. Although this film is not without problems, the preliminary results indicate that it is being well received and indeed helping the Baliem people into the world of moneyed economics. Description prepared by Larry L. Naylor, Southern Illinois University.

Papuans with spears; speech; Indonesian flag; sign 'Selamat Datang'; airplane landing, highly placed persons exiting [Generals Sugeno, Kologa]; 'Zenipara emblem'; Papuan traditions.

About elections: feast in village, coins for voting, waiting Papuans, portrait of Suharto, Papua dance, military, election officials, explanations, voting, counting votes, election results, butchering pigs, festivities. Skop (iron shovel), symbol for Golkar; Botal air (bottle of clear water), symbol for Kesejahteran Masyarakat (Kes. Masj.); Ikan lisu (fish), symbol for the Partai Katolik. Dancing at 4'50". - Part 2 of DVD [continuation of 16?]: people on the way to a settlement [mission post?] Many Papuans. A number of dead animals and objects.

(00:00) Kladi festival in Ilaga, November, 1975. (The kladi, Colocasia antiquorum, is a type of tuber). Many people gathered in groups on a large field. Big dance. Papuans in full regalia and war dress. Kladi and other objects being brought in and piled up. Products are held high. People in groups running to the piles, grabbing something and running back. (07:10) Visit by bishop Münninghoff concerning the confirmation festivities, February 9, 1976: arrival of the bishop. (07:40) Fragment: the first calf for Ilaga, February, 1976. (08:19) Continuation of the bishop's visit: - in front of church. Confirmation festival.